Adjust the bandwidth to get the sound right.

Apply boost at 10KHz using a Band Pass Filter.

Roll off everything below 600Hz using a High Pass Filter.

Looser than Bass n Snare, allow the hats and especially the Rides to ring a little Get Definition.

Compression use high ratio for high energy feel Reverb.

Cut at 1kHz to remove jangling PROCESSING.

10khz with a Q of 1.0: Adds brightness to hats and cymbals.

Apply some cut at the High Frequencies, lots of boost about 1.5KHz and lots of cut below 700Hz.

Apply lots of compression pre EQ, and a little analogue distortion by turning up the input gain.

Apply some cut at the High Frequencies, lots of boost about 1.5KHz and lots of cut below 700Hz.

Apply some boost in a reasonably narrow band somewhere in the 200Hz to 600Hz range.

Apply some cut in a narrow band in the 1KHz to 2KHz range.

Use the Sweep control to sweep the frequencies to get it right.

Apply a gentle boost using a wide-band Bandpass Filter above 6KHz.

Apply a gentle boost above 6KHz using a shelving filter.

To soften vocals apply cut in a narrow bandwidth somewhere in the 2.5KHz to 4KHz range.

This range is unlikely to contain anything useful…

Roll off below 60Hz using a High Pass Filter.

PROCESSING – Compression 4:1 slow attack med release.įullness at 120 Hz, boominess at 200 – 240 Hz, presence at 5 kHz, sibilance at 7.5 – 10 kHz.

Cut at 1kHz to get rid of the sharp peak.

EQ – Boost above 2kHz for that crisp edge.

7Khz with a Q of 2.8 – Adds Sharpness to snares and percussion.

3Khz with a Q of 1.4 – Adds atack to snare.

200Hz – 250Hz with a Q of 1.4 – Adds wood to snares.

100Hz with a Q of 1.0 – Add fullness to snare.

kick – bottom depth at 60 – 80 Hz, slap attack at 2.5Hz.

Apply cut somewhere in the 100Hz to 500Hz range.

Apply boost or cut around 4KHz to 6KHz.

Apply a little cut at 300Hz and some boost between 40Hz and 80Hz.

PROCESSING Compression 4:1/6:1 slow attack med release.

5Khz with a Q of 2.8 – Adds attack to Kick drum.

60Hz with a Q of 1.4 – Add fullness to Kick drum.

1) Détails des fréquences avec réglages des EQsĨ) Pensez à couper les fréquences inutiles 1) DÉTAILS DES FRÉQUENCES AVEC RÉGLAGES DES EQs: InstrumentĢ0 Hz and below: impossible to detect, remove as it only adds unnecessary energy to the total sound, thereby most probably holding down the overall volume of the trackġ00-120 Hz: the « club sound system punch » resides hereĢ50 Hz: notch filter here can add thump to a kick drumĨ00 Hz-4 KHz: edge, clarity, harshness, defines timbreĤ500 Hz: extremely tiring to the ears, add a slight notch hereĤ-9 KHz: brightness, presence, definition, sibilance, high frequency distortionĩ-15 KHz: adding will give sparkle, shimmer, bring out details – cutting will smooth out harshness and darken the mix 2) KICK DRUM

Fruity bass boost